While the show is ready to be filmed, Goldberg says the setting is season-dependent, meaning the production team needs good weather to film. series, Perfect Sundays, about a dairy operation that’s struggling to stay afloat.” “We wanted to come up with a way to tell a story that tackled the subject of suicide in farming, so we’ve scripted a 6-part limited T.V. “Suicide is like an epidemic in the ag community,” says Goldberg. Upon Silo’s release, he says the ag community cracked open another idea for the film maker: mental health. Goldberg says the ultimate goal of any film is to get people in the room talking about issues. that shifted Goldberg’s career also led to the beginning of the Grain Handling Safety Coalition, which offers grain handling information, training and certifications. He says this lock-out “could save a life.” A few auger accidents have occurred, according to the film producer. “Send out a mass text letting people know you’re going into your bin and if they don’t hear back from you in 20 minutes, call.”Īuger lock-out mechanisms can ensure the auger stays off in the event of an accident. “Call your wife, a farmhand or even a volunteer firefighter that you know,” says Goldberg. Goldberg suggests farmers tell at least two people that they’re going into the bin. He says it’s not uncommon for fire departments to loan or gift farmers a harness when an inquiry is made. Harnesses are available between $100 and $200, according to Goldberg, with used options at a much lower cost. With his knowledge in hand, he offers a few safety considerations: From his work in Silo, he knows producers need to enter bins now and again. It’s stories like these that continue to haunt Goldberg. In 2019, Purdue University’s Agricultural Safety and Health Program reported 38 grain entrapment cases with 23 of those cases leading to fatalities. “It’s been cool to become an outsider’s insider in the ag industry.” “So many people are generations removed from working on the farm that they don’t really understand where their food and energy comes from,” says Goldberg. He says his few 1000 square foot apartment in a 12-story building in the middle of New York City provided him “nothing” when it came to knowledge of rural America. He admits, prior to the film, he didn’t know the difference between a grain bin or silo, nor the reason for production ag tractors. Goldberg says that’s exactly the message he’s trying to convey to the audience-communication is key.Īs someone who moved from the city to the countryside, Goldberg says he used to be a filmmaker making a movie about agriculture, “but now I’m a farm guy who happened to make a film.” “These people should be close and have a bond, but they’re not communicating well, which is why this accident happens.”Ĭommunicating internal issues and issues with one another is pivotal in a farm setting. “’Silo’ has double meaning-it’s a movie that’s really about people who are siloed from each other, even though they’re living in close proximity,” he says. While the story involves a grain bin, Goldberg says he chose the title “Silo” not to confuse his audience, but to get them thinking. “Due to a bunch of bad domino effects, Cody gets trapped in a grain bin and the film is a rescue mission as to whether or not they’ll get him out.” “It follows the story of Cody Rose, an 18-year-old who was a farmhand, working before harvest season,” he says. According to Goldberg, Silo takes place over the course of 24-hours on a small grain farm in the Corn Belt.
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